“food-chain,” 2018, oil emulsion and pigment on panel, 31” x 55”
“food-chain,” 2018, oil emulsion and pigment on panel, 31” x 55”
“bleach,” 2018, oil emulsion and pigment on panel, 71” x 31”
“bleach,” 2018, oil emulsion and pigment on panel, 71” x 31”
“democracy,” 2018, oil emulsion and pigment on panel, 48” x 48”
“democracy,” 2018, oil emulsion and pigment on panel, 48” x 48”
“dialysis,” 2018, oil emulsion and pigment on panel, 48” x 48”
“dialysis,” 2018, oil emulsion and pigment on panel, 48” x 48”
“bipartisan,” 2018, oil emulsion and pigment on panel, 31” x 51”
“bipartisan,” 2018, oil emulsion and pigment on panel, 31” x 51”
“indoctrination,” 2018, oil emulsion and pigment on panel, 31” x 51”
“indoctrination,” 2018, oil emulsion and pigment on panel, 31” x 51”
“system,” 2018, oil emulsion and pigment on panel, 31” x 51”
“system,” 2018, oil emulsion and pigment on panel, 31” x 51”
“web,” 2018, oil emulsion and pigment on panel, 31” x 51”
“web,” 2018, oil emulsion and pigment on panel, 31” x 51”
THESE WORKS BEGAN AS DIGITAL DRAWINGS AND COLLAGES. THROUGH A TRANSLATION INTO PAINT, THEY ATTAINED A SCRATCHY, GRITTY, PHYSICALITY THAT TO ME SUGGESTS THE RUGGEDNESS OF NEVER-ENDING NEWS CYCLES, WARS, SURVEILLANCE, AND POLITICAL RITUALS TO NAME A FEW OF THEMES IN THIS BODY OF WORK.
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