current work

My recent work moves between painting, and new media to examine how perception is shaped under the pressure of relentless images, information, and ideological language. Drawing on the layered allegories of Bosch, the fractured visual logic of Cubism, I use tactility, fragmentation, and mediated surfaces to explore how meaning is constructed and controlled. Paint, for me, is a sacred philosophy, a substance employed since the dawn of humanity to project the spark of inner realities onto the external world. It is in the tension between these two modes, the raw physicality of paint and the weightless velocity of digital media, that this work finds its power.